Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

Sunday

Sights and Sounds of Tai ji

After two weeks of study (thirty hours per week), I have learned the base eighteen movements of Chen-style tai ji. N.B. I am far from mastering these movements.

I am still amazed at how exhausting the subtle movements of shifting one's hips and rotating ones arms can be. The martial art form does not require any particular level of athleticism, but daily practice definitely guarantees some weight-loss (through sweat) and increased upper leg strength. Each movement requires only a slight knee-bend, but each movement requires firm rooting in the ground. Surprisingly, this rooting derives in comfortably sitting into one's hips and letting the hips begin each movement. At first, pronating and suppinating through hip movements seems counter-intuitive; eventually, one learns how to bend their elbows using their hips. At least, one supposedly learns this. As one of my fellow students pointed-out (in one of the more appropriate but obscure references I have ever heard), learning tai ji makes one feel like their doing the awkward jolts and jitters from Jamie Lee Curtis's strip tease in True Lies (see below for more details).

Waterbending (see below for details)

That's a video of my master (师傅, shifu) singing my favorite Chinese country song; the lyrics are something to the effect of: "Singing a song,/ I am on this side,/ the river is on that side..." It is a particularly popular song in Yangshuo, where there is an overdone light show involving hundreds of actors on boats and featuring the song as part of a love story between a village girl and a fisherman.
That video is of me doing the base eighteen movements with my master. I am sure you will see as many flaws in my form and postures as I do. Here is a clip of Jamie Lee's dance (the clip is only relevant to the point between 3:08 and 3:17, outside of that I cannot "speak" to the remainder of the clip): compare as you see fit. And after that, some vintage waterbending from one of my favorite TV shows ever.

I Would Pay For Some of This

3/23: Eager eyes

In its 48th year, Ann Arbor Film Festival is the longest running experimental film festival in the world--or so they claim, and I am disinclined to investigate. I am generally intrigued by the ways that people use moving media to convey the human experience or the human imagination, so I am generally intrigued by the films at the festival. As many of you may or may not know, I tend to take advantage of freebies and have a good ear for good deals. So, I am volunteering 15 hours for the festival this weekend in exchange for a free weekend pass. I prepare my eyes for the avant garde and abstract.

(N.B. I am not preparing my eyes for the avant garde as Bunuel and Dali would:



Ew. I am sorry. Though the rest of "Un Chien Andalou" is strange and occasionally funny in its absurdity. Deemed a "classic" by many, I would hesitate to actually recommend unless you plan on partaking in a dialogue about cinema, theory, genre, and the avant garde in film. Basically, that film would be a crucial part of the primer for the AA Filmfest.)